We would like to thank Jay Weinberg for his dedication and passion over the past 10 years. No one can ever replace Joey Jordison’s original sound, style or energy, but Jay honored Joey’s parts and contributed to the last three albums and we, the band, and the fans appreciate it. But, as ever, Slipknot is intent on evolving. The band has decided to make a creative decision and part ways with Jay. We wish Jay all the best and are very excited for what the future holds.
Welcome to theNATIONAL FILM BOARD OF CANADA
Examine the phenomenon of online celebrity with Tyler Funk’s feature documentary profiling an ambitious—and reckless—new breed of content creator.
2022 1 h 5 min
An intimate look into the mind of Niall McNeil, an artist and performer with Down syndrome, and his unique chosen family. In Lay Down Your Heart, Niall introduces us to his many “family members,” his multiple “children,” his renowned “ex-wife” and director of the film Marie Clements, and other bonds forged through open-hearted creativity.
2022 1 h 24 min
In the ruthless “attention economy” of the Internet, young influencers gamble everything for fame-‘n’-fortune. A startling and timely study of contemporary celebrity, Anything for Fame ventures into the virtual Wild West to profile an ambitious—and reckless—new breed of content creator.
2022 2 h 11 min
At a critical moment in the history of the written word, as humanity’s archives migrate to the cloud, one filmmaker goes on a journey around the globe to better understand how she can preserve her own Romanian and Armenian heritage, as well as our collective memory. Blending the intellectual with the poetic, she embarks on a personal quest with universal resonance, navigating the continuum between paper and digital—and reminding us that human knowledge is above all an affair of the soul and the spirit.
2022 52 min
Undertakers are anything but gloomy; they’re funny, generous and dedicated. We would gladly go on vacation with them, but sadly, they never have any dead time.
2022 1 h 17 min
Theodore Ushev, the auteur behind a number of renowned animated shorts, reveals his inner universe, formed by a half-century of personal experience acquired in a constantly changing world.
2022 9 min
When the superstitious Zeb finds a spider in her apartment, she must do everything in her power to keep the unwanted guest’s appetite satisfied, or risk being eaten herself. This stop-motion cautionary tale examines the discomfort of the human experience when a superstitious outlook becomes a self-fulfilling prophecy.
2022 1 h 24 min
In community archives across British Columbia, local knowledge keepers are hand-fashioning a more inclusive history. Through a collage of personal interviews, archival footage and deeply rooted memories, the past, present and future come together, fighting for a space where everyone is seen and everyone belongs. History is what we all make of it.
Remembrance Day
1945 5 min
This commemoration of V-J Day–the World War II victory of the Allied forces in Japan–shows various scenes of celebration, and suggests that the energies which Canada deployed in the war effort in mining, agriculture and industrial development will now be the keys to a brighter, peaceful future.
2002 51 min
This documentary is the story of two Mennonite brothers from Manitoba who were forced to make a decision in 1939, as Canada joined World War II. In the face of 400 years of pacifist tradition, should they now go to war? Ted became a conscientious objector while his brother went into military service. Fifty years later, the town of Winkler dedicates its first war memorial and John begins to share his war experiences with Ted.
2018 1 h 46 min
A group of civilians embark on 12 weeks of intensive training that will see them gradually transformed into soldiers of the Canadian Armed Forces. For the third instalment in his documentary series about the different stages of life, Jean-François Caissy offers a compelling portrait of the military experience, charting the paths of young adults who have made this singular career choice.
2017 9 min
In this short film, a young woman visits the Vimy Memorial to make a charcoal imprint of the engraved name of her great-grandfather who was lost in battle. She brings with her a notebook of sketches and diary entries that he made during his preparation for battle. The sketches transform into colourized archive footage and take us back in time to revisit the daily lives of the Canadian Corps soldiers. This project marks the first time the NFB has colourized its own archives for a film project.
2014 52 min
This documentary marks the 100th anniversary of the Royal 22e Régiment, the only French-speaking Canadian battalion to fight in the First World War. Widely known by its colloquial name, “The Van Doos”, the battalion served with distinction on several fronts, including both world wars, the Korean War, and in numerous U.N. peacekeeping operations. This film offers a moving tribute to both the living veterans and the lost soldiers of the Van Doos. Their personal stories and narratives bring a little-known page of our history books to life. This vibrant elegy features a moving score by Claude Naubert performed live by the regimental formation La Musique du Royal 22e Régiment.
2008 33 min
A tribute to the combatants in the First World War, this film traces the conflict through the war diary and private letters of five Canadian soldiers and a nurse. Hearing them, the listener detects between the lines an unspoken horror censored by war and propriety.
The film mingles war footage, historical photos and readings of excerpts from the diary and letters. The directorial talent of Claude Guilmain breathes life into these 90-year-old documents and accompanying archival images so that we experience the human face and heart of the conflict.
For the educational sector, five documentary vignettes have been drawn from the film: Nurses at the Front, The Officer’s Role, The Life of the Soldier, Faith and Hope and The Trenches, each with further information on its particular subject.
2007 24 min
This short documentary by celebrated filmmaker Alanis Obomsawin is a portrait of Eugene “Gene Boy” (pronounced Genie Boy) Benedict, from Odanak Indian Reserve (near Montreal, Quebec). At 17, he enlisted in the US Marines and was sent to the frontlines of the Vietnam War. This film is the account of his 2 years of service and his long journey back to Odanak afterwards.
Focus on Black Filmmakers
1999 42 min
Afros, braids or corn-rows–hairstyles have always carried a social message, and few issues cause as many battles between Black parents and their daughters. To “relax” one’s hair into straight tresses or to leave it “natural” inevitably raises questions of conformity and rebellion, pride and identity.
Today trend-setting teens proudly reinvent themselves on a daily basis, while career women strive for the right “professional” image, and other women go “natural” as a symbol of comfort in their Blackness. Filmmaker Nadine Valcin meets a range of women as they reveal how their hairstyles relate to their lives and life choices.
Black, Bold and Beautiful celebrates the bonds formed as women attend to each other’s hair, while exploring how everyday grooming matters tap into lively debates on the position of Black people within Canada.
2022 2 min
Exploring the conscious, the unconscious and the self, By Winds and Tides takes a deep experimental dive into the birth of an idea—how it takes shape, how it is released. An allegorical quest, the film combines images and words into a singular sigh. A film from the Alambic collection, a creative lab by the NFB’s French Program Animation Studio that’s designed for emerging filmmakers.
2020 1 h 35 min
In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army on the basis of anti-black racism. Fast-forward to 2013: the Dominican Republic’s Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Director Michèle Stephenson’s new documentary follows the grassroots campaign of a young attorney named Rosa Iris, as she challenges electoral corruption and fights to protect the right to citizenship for all people.
Celebrate Black Canadian cinema with the NFB. Explore our collection of films from Black filmmakers across Canada.
2019 24 min
What is fatphobia and what can be done to overcome it? With poetic illustrations and painful, compelling testimony, Tales of Ordinary Fatphobia offers multiple examples of the psychological effects of weight-based discrimination and bullying on adolescent girls.
2019 1 h 23 min
Some dreamers have the power to inspire us, bring us together, and help us reconnect with our humanity. Alain Philoctète, a Haitian artist and activist who settled in Quebec, returns to the country of his birth to develop a permaculture project with local farmers. There, he has an emotional reunion with family members and his former comrades in arms, whose ideals remain unshaken despite the lingering aftermath of the 2010 earthquake and political instability. However, Alain, who is suffering from cancer, has to undergo treatment in Montreal, where his loved ones provide the same degree of affection and solidarity as he receives in Haiti. Director Will Prosper films this inspiring dreamer on his hopeful quest, chronicling the challenges of exile and illness with the personal, knowing touch of a longtime friend. With a rich score composed by Jenny Salgado, Kenbe la, Until We Win offers a cinematic journey that will move viewers to ponder the importance of embracing ideals and passing them on.
2020 1 h 12 min
Please note: This film contains explicit language. Viewer discretion is advised.
John Ware Reclaimed follows filmmaker Cheryl Foggo on her quest to re-examine the mythology surrounding John Ware, the Black cowboy who settled in Alberta, Canada, before the turn of the 20th century. Foggo’s research uncovers who this iconic figure might have been, and what his legacy means in terms of anti-Black racism, both past and present.
2004 48 min
In a quest to rediscover the spiritual values of his own people, an African filmmaker from the Gourmantche tribe of Burkina Faso visits the Atikamekw of Northern Quebec. The resulting documentary is a dialogue between those who divine the future in the sand with those who use snow-encased sweat lodges to reconnect with the spiritual world.
A Sand County Almanac and Sketches Here and There
First published in 1949, A Sand County Almanac combines some of the finest nature writing since Thoreau with an outspoken and highly ethical regard for America’s relationship to the land.
Written with an unparalleled understanding of the ways of nature, the book includes a section on the monthly changes of the Wisconsin countryside; another part that gathers informal pieces written by Leopold over a forty-year period as he traveled through the woodlands of Wisconsin, Iowa, Arizona, Sonora, Oregon, Manitoba, and elsewhere; and a final section in which Leopold addresses the philosophical issues involved in wildlife conservation. As the forerunner of such important books as Annie Dillard’s Pilgrim at Tinker Creek, Edward Abbey’s Desert Solitaire, and Robert Finch’s The Primal Place, this classic work remains as relevant today as it was sixty-five years ago.
-
Genres NonfictionNatureScienceEnvironmentPhilosophyClassicsEssays
. more
269 pages, Paperback
First published January 1, 1949
Book details & editions
Loading interface.
Loading interface.
About the author
Aldo Leopold
59 books 665 followers
A Sand County Almanac , published posthumously in 1949, of American writer and naturalist Aldo Leopold celebrates the beauty of the world and advocates the conscious protection of wild places.
His effect on resource management and policy lasted in the early to mid-twentieth century, and since his death, his influence continued to expand. Through his observation, experience, and reflection at his river farm in Wisconsin, he honed the concepts of land health and a land ethic that since his death ever influenced in the years. Despite more than five hundred articles and three books during the course of his geographically widespread career, time at his shack and farm in Wisconsin inspired most of the disarmingly simple essays that so many persons found so thought-provoking.
Life story of Aldo Leopold, the development of his career as a conservationist, scientist, and philosopher, and his open-mindedness, his vision, and the evolution of his thinking throughout his life inspire other persons to start or to further their own intellectual journey of discovery. A closer engagement with his story, his inspiration, and his family helps persons better to understand the contours of environmental history and the role in culture and to reflect on their own in the complex weave of the way in which our society relates to land. His vision of a society that cares about the connections between people and land provides a starting point for thinking about modern-day cultures, economies, ecosystems, and communities.
Starker Leopold, Luna Leopold, Nina Leopold, Carl Leopold, and Estella Leopold—children of Aldo—founded the Aldo Leopold foundation in 1982. People respected all members of the Leopold family as scientists and conservationists in their own right. They recognized the shack and farm as a focal point for legacy of their father for generations to come and for this primary reason established the foundation. This public charity owns and manages the Leopold center, including the Leopold shack and 264 surrounding acres in addition to several other parcels and also manages much of the adjoining 1,800-acre Leopold memorial reserve, which neighboring landowners established as an early trust in 1967. It acts as the executor of literary estate of Leopold, encourages scholarship on Leopold, and serves as a clearinghouse for information regarding Leopold, his work, and his ideas. It provides interpretive resources and tours for five thousand visitors annually, cooperates with partners on education and other programming off site, and maintains a robust website and numerous print resources. The Aldo Leopold foundation manages this Goodreads page.
Ratings & Reviews
What do you think?
Rate this book
Write a Review
31,098 ratings 1,970 reviews
5 stars
15,881 (51%)
4 stars
9,862 (31%)
3 stars
4,247 (13%)
2 stars
867 (2%)
1 star
241 (<1%)
Search review text
Displaying 1 - 30 of 1,969 reviews
212 reviews 7 followers
How is it possible that I earned a BS in natural resources (and slipping toward an MS in wildlife) without being required to read this book? Aldo Leopold is often called the father of wildlife management. But Sand County Almanac is not a text book, with nary a glossary, set of models, or flow chart within its pages. It does contain some pretty drawings, and some spellbinding imagery. Leopold goes beyond vividly describing a scene of chopping wood or canoeing a river; he pans back to ecological connectivity or the aesthetic importance of the natural world to humanity. He talks about the need for a land ethic, and it sounds very logical and obvious– I have to remind myself that he wrote these essays before such a mindset was commonplace. Even if his views were not completely original for the time, he is undoubtedly remembered for being so darn eloquent. A master of the one-liner, it’s no wonder that all of my nat res classes seemed to quote him several times each semester (and some classes on a weekly basis). I feel sheepish for not reading it much earlier in my career, but I’m very glad I picked it up. He was a remarkable naturalist and writer. I can see him clearly, squatting in ice-crusted mud before dawn breaks over the marsh, his shotgun poking through the reeds and ears open to the sounds of approaching waterfowl, all the while silently creating poetry.
143 likes
Author
1 book 8,312 followers
What a dull world if we knew all about geese!
Nature is refreshing. Even a short walk in a park can powerfully clear one’s head. For whatever reason—perhaps because our ancestors lived in trees—surrounding oneself with birches and maples produces in nearly everyone feelings of warmth, comfort, and peace. And for many people, nature is more than refreshing: it is awe-inspiring, even divine. Natural environments are, for some, more uplifting than cathedrals. Emerson might have captured this strain of mystical naturalism best:
In the woods, we return to reason and faith. … Standing on the bare ground,—my head bathed by the blithe air, and uplifted into infinite spaces,—all mean egotism vanishes. I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being flow through me; I am part or particle of God.
I myself have had comparable experiences in the woods. Yet both Emerson and I are pure amateurs next to Aldo Leopold.
Leopold was a pioneering conservationist and forester. He was also a superlative writer, and in this brief book he covers a lot of ground. He begins with a month-by-month account of Sand County, a poor farming region in Wisconsin. This was my favorite section, since Leopold’s sensitivity to his environment is nearly superhuman. He has a keen sense of both the history of environments—how they change with the seasons, how they have evolved through time, how they have been warped by human activity—and the close-knit interdependence of ecosystems, how each organism shapes and is shaped by every other organism, forming a perfect whole.
As a stylist, he manages to be lyrical and poetic while sticking scrupulously to what he sees and hears. His sentences are short, his diction simple, and yet he manages to evoke a densely complex ecosystem. This is because, unlike Emerson or I—and more so than Thoreau—Leopold really understood his environment. He can name every species of plant, and tell what soils they prefer and what plants they like as neighbors. He can identify every bird by its call, and knows where it roosts, what it eats, when it migrates, and how it mates. Scratches on a tree tell him a deer is nearby, his antlers fully grown; the footprints in snow tell him a skunk has passed, and how recently.
All this is described with exquisite sensitivity, but no romantic embellishment. To borrow a phrase from E.B. White, Leopold had discovered “the eloquence of facts.” And, like White, Thoreau, and Emerson, his writing has a pleasing, folksy, rambling, ambling quality, wherein each sentence is nailed to the next one at an oblique angle.
In the rest of the book, Leopold puts forward a new philosophy of conservation. This train of thought reminded my very much of another book I read recently, The Death and Life of Great American Cities. In that book, Jane Jacobs explains how top-down approaches to city planning killed neighborhood vitality. Just so, when Leopold was a young man in the forestry service, he participated in the policy of removing predators—bears, wolves, and mountain lions—to protect livestock and to increase the supply of hunting animals, like deer. When hunting became necessary to control population, parks began building more and more roads to make access easier; and meanwhile the exploding deer population prevented new trees from growing. Thus the park was encroached upon by cars, and the ecosystem thrown off balance—in the same way that blindly building highways and public housing can destroy neighborhoods.
Leopold was, I believe, one of the first to popularize the idea that ecosystems act like one giant organism, with a delicate balance of cooperating and competing components. Every healthy ecosystem is a harmony that cannot be disturbed without unpredictable results. To again borrow from Jacobs, an ecosystem—like a city economy or a human brain—is an example of “organized complexity.” Thus ecosystems baffle attempts to understand them by thinking of their components separately, as a collection of individual species, or even statistically, as the average behavior of interchangeable parts. Complexity like this tends to be a product of historical growth, with each distinct component making minute adjustments to each other in a dense network of influence. Leopold doesn’t say this in so many words; but he does something even more impressive: he illustrates this quality using short anecdotes and schoolboy vocabulary.
His most philosophic contribution to the environmental movement is what he called a “land ethic.” Previous arguments for conservation were couched in terms of expediency: how national parks and nature reserves could benefit us economically. Leopold believed that this approach was too narrow; since hunting lodges and mechanized farms are always more profitable in the short term, this would eventually result in the destruction of wild ecosystems and the disappearance of species. We needed to move beyond arguments of expediency and see the land—and everything on it—as valuable for its own sake. Leopold believed that we had an ethical duty to preserve ecosystems and all their species, and that the aesthetic reward of wild nature was more valuable than dollars and cents could measure.
I want to go along with this, but I thought that Leopold was unsatisfyingly vague in this direction. It is simply not enough to say that we have an ethical duty to preserve nature; this is quite a claim, and requires quite a bit of argument. Further, aesthetic value seems like a slender reed to rest on. For every Emerson and Thoreau, there is a Babbitt whose tastes are not so refined. To his credit, Leopold does argue that a great part of conservation must consist in elevating the public taste in nature. Otherwise, conservation will consist of little more than the government using tax dollars to purchase large swaths of land. Individuals must see the value in wilderness and actively participate in preserving it. But molding tastes is no easy thing; and, more importantly, if we are to do so, there must be compelling reasons to do it.
The most compelling reasons for conservation are, I believe, expediency—but expediency in the widest sense. The difference between folly and wisdom is not that the former is preoccupied with expediency and the latter higher things; it is that wisdom considers what is expedient on a grander scale. Leopold comes close to making this same argument. He was, for example, ahead of his time in being deeply concerned about extinction. Every time a species disappears it is an irreplaceable loss; and considering that our medicine partly depends on new discoveries, extinctions may have terrible consequences for us down the line. (I saw a PBS special the other day about scientists trying to discover new antibiotics by shifting through raw soil.) Since Leopold’s day—long before Silent Spring or An Incovenient Truth—we have learned plenty more ways that environmental destruction can be equivalent to self-destruction.
Carping aside, this is a deeply satisfying book: lyrical, descriptive, educational, and innovative. Leopold realized what Orwell also realized: that winning converts requires both argument and propaganda. He does not only argue for the value of nature, but he really captures the beauty of unspoiled environments and serves it up for his readers’ consideration. We are not only convinced, but seduced. This is propaganda in its noblest form—propaganda on behalf of nature.
Slipknot Part Ways With Drummer Jay Weinberg
Slipknot have parted ways with longtime drummer Jay Weinberg.
The band announced the split via a post on social media, which has since be deleted, but you can see in full below. The message remains on Slipknot’s website.
We would like to thank Jay Weinberg for his dedication and passion over the past 10 years. No one can ever replace Joey Jordison’s original sound, style or energy, but Jay honored Joey’s parts and contributed to the last three albums and we, the band, and the fans appreciate it. But, as ever, Slipknot is intent on evolving. The band has decided to make a creative decision and part ways with Jay. We wish Jay all the best and are very excited for what the future holds.
Slipknot statement about Jay Weinberg’s exit
Instagram: @slipknot
loading.
As of publishing this, Weinberg has not commented on the split.
Weinberg — the son of fellow percussionist Max Weinberg, longtime drummer for Bruce Springsteen’s E Street Band — joined Slipknot in 2014, replacing their original drummer, the late Joey Jordison, who parted ways with the band in 2013. Jay’s drumming style, marked by intense energy and technical prowess, quickly endeared him to Slipknot fans.
Before joining Slipknot, Jay had already made a name for himself as a drummer. He played in various bands and had experience filling in for his father in the E Street Band during Springsteen’s concerts. His adaptability and formidable drumming skills caught the attention of Slipknot, and he proved to be a perfect fit for the band’s aggressive and chaotic sound.
With Slipknot, Jay contributed to Slipknot’s continued success, performing on the studio albums .5: The Gray Chapter (2014), We Are Not Your Kind (2019) and The End, So Far (2022). He had become an integral part of Slipknot’s iconic live performances, where his intense drumming and signature mask added to the band’s distinctive image.
