DID Van Gogh load his brush? Most assume he didn’t–but used the standard technique of picking up paint directly from the palette (watch how to load a brush here ) . I suspect he used ample amounts of paint to more easily get br oken color on his brush and onto his canvas (small piles of paint lead to cramped, tight painting with monochromatic strokes).
Fellow painter Erik te Kamp went to the Kröller-Müller Museum in the Netherlands and took several close-up photos of Van Gogh’s work. Erik noted that t he paintings are over 125 years old and some passages look a little transparent. Because Van Gogh never varnished his paintings you can see an accumulation of dirt in the paint strokes (learn how new methods improve varnishing for modern painters here).
What follows is an analysis of Van Gogh’s technique. I start with a close-up of a recent painting of mine for contrast (since I know which strokes are brush or palette knife marks with absolute certainty). Y ou can clearly see both palette knife and brush marks in my painting. The principal example of a palette knife mark is the dark green stroke in the southwest quadrant. The most visible brush strokes are the purple-brown marks in the center lower half. Click images twice to see a larger view and use the back arrow to return.
The next image–courtesy of Eric te Kamp and the Kröller-Müller Museum– is a painting by Van Gogh entitled Green Field. (Incidentally, I love the maple frame. I compliment the museum on such an apropos presentation).
The next image is a close-up of the distant horizon. We see two flecks of red representing the tiled roofs of distant houses. There is evidence of brush marks and palette knife marks . Marks from the brush’s bristles can clearly be seen in the green section. The light bluish-green vegetation in front of the houses appears to be made with a narrow, flat-ended palette knife–most notably in the stroke just right of center. This was completely unexpected, but further close-ups suggest he used both brushes and palette knives. The following image–an extreme close-up of the strokes of grass–confirms the claim. Note the hard edges on the upper sides of the central yellow strokes.
195: The genius of Van Gogh, Part 1
DID Van Gogh load his brush? Most assume he didn’t–but used the standard technique of picking up paint directly from the palette (watch how to load a brush here ) . I suspect he used ample amounts of paint to more easily get br oken color on his brush and onto his canvas (small piles of paint lead to cramped, tight painting with monochromatic strokes).
Fellow painter Erik te Kamp went to the Kröller-Müller Museum in the Netherlands and took several close-up photos of Van Gogh’s work. Erik noted that t he paintings are over 125 years old and some passages look a little transparent. Because Van Gogh never varnished his paintings you can see an accumulation of dirt in the paint strokes (learn how new methods improve varnishing for modern painters here).
What follows is an analysis of Van Gogh’s technique. I start with a close-up of a recent painting of mine for contrast (since I know which strokes are brush or palette knife marks with absolute certainty). Y ou can clearly see both palette knife and brush marks in my painting. The principal example of a palette knife mark is the dark green stroke in the southwest quadrant. The most visible brush strokes are the purple-brown marks in the center lower half. Click images twice to see a larger view and use the back arrow to return.
The next image–courtesy of Eric te Kamp and the Kröller-Müller Museum– is a painting by Van Gogh entitled Green Field. (Incidentally, I love the maple frame. I compliment the museum on such an apropos presentation).
The next image is a close-up of the distant horizon. We see two flecks of red representing the tiled roofs of distant houses. There is evidence of brush marks and palette knife marks . Marks from the brush’s bristles can clearly be seen in the green section. The light bluish-green vegetation in front of the houses appears to be made with a narrow, flat-ended palette knife–most notably in the stroke just right of center. This was completely unexpected, but further close-ups suggest he used both brushes and palette knives. The following image–an extreme close-up of the strokes of grass–confirms the claim. Note the hard edges on the upper sides of the central yellow strokes.
In the following image—where you see dabs of color representing flowers —some dabs have brush marks and some don’t. This is an example of Van Gogh painting with paint rather than with the brush. Meaning that so much paint was on his brush that no bristle marks were impressed into the resulting strokes.
There is controversy about whether Van Gogh was right or left handed. I guess from this painting that he was right handed. Van Gogh was a bold painter, and the grass strokes would have been less consistent if he were holding the brush in his left hand. This is also corroborated by several self-portraits of Van Gogh holding the palette in the right hand. Which would have been reversed since he would have been looking into a mirror to paint his portrait.
It is possible that he used his left hand for palette knife work but I see no evidence of that. Portraits of Vincent also show that he used generous amounts of paint on his palette. Which is good practice if you want to have lots of broken color in your paintings.
Many thanks to Erik te Kamp for the fascinating close-ups of Van Gogh’s work. He sent me more images, and I will analyze them in future blog entries.
If anyone is close to a museum featuring paintings of J. M. W. Turner and would be willing to take similar photos, I would love to do a similar analysis of his work. Many thanks in advance for your help.
Brad Teare–October 2014
Вы используете браузер, который Facebook не поддерживает. Чтобы все работало, мы перенаправили вас в упрощенную версию.
Страница «TheARThaus» есть на Facebook. Войдите, чтобы связаться с TheARThaus.
Страница «TheARThaus» есть на Facebook. Войдите, чтобы связаться с TheARThaus.
TheARThaus
Дополнительные настройки
Van Gogh Starry Night – Impasto Palette Knife Painting by Marianne
Похожие Страницы
Нравится: 1 тыс.
Alpha Gymnastics club conducts a wide range of gymnastics classes for all ages and abilities. Our…
Нравится: 584
Obstetric and Gynaecologic Care
Нравится: 669
Genius Plus Academy specialises in Primary & Secondary school Mathematics and classes helmed by by…
Нравится: 190
Welcome to The Toothbar Dental. We aim to redefine your dental experience. Equipped with the latest…
Нравится: 592
A premier enrichment centre that excites, engages and inspires students to…
Нравится: 396
Celebrating 140 years of excellence in education as a school and 60 years as a primary school with…
Нравится: 708
Character Counts
Нравится: 572
This program immerses children into the world of Arts. They will learn Art Influence, Art History,…
Нравится: 604
Tanjong Katong Residents’ Network
Нравится: 671
Louis Soliano is an accomplished drummer, percussionist and vocalist and has performed with numerous…
Нравится: 746
Learning Art In a Therapeutic Way
Нравится: 756
MapleBear’s flagship childcare and preschool center offers a unique learning environment near…
Нравится: 219
Welcome to Sugarfrolic Cakes. We do custom cake designs for all occasions.
Insta: @sugarfroliccak es…
About O’Reilly
- Teach/write/train
- Careers
- Press releases
- Media coverage
- Community partners
- Affiliate program
- Submit an RFP
- Diversity
- O’Reilly for marketers
Take O’Reilly with you and learn anywhere, anytime on your phone and tablet.
Watch on your big screen
View all O’Reilly videos, Superstream events, and Meet the Expert sessions on your home TV.
© 2023, O’Reilly Media, Inc. All trademarks and registered trademarks appearing on oreilly.com are the property of their respective owners.
Don’t leave empty-handed
Get Mark Richards’s Software Architecture Patterns ebook to better understand how to design components—and how they should interact.
It’s yours, free.
Close
