There are painters who transform the sun into a yellow spot, but there are others who, thanks to their art and intelligence, transform a yellow spot into the sun. Pablo Picasso
General Paint Oil / CL 3137N / #494c4f Hex Color Code
The hexadecimal color code #494c4f is a medium dark shade of cyan-blue. In the RGB color model #494c4f is comprised of 28.63% red, 29.8% green and 30.98% blue. In the HSL color space #494c4f has a hue of 210° (degrees), 4% saturation and 30% lightness. This color has an approximate wavelength of 480.9 nm.
- Inverted
#b6b3b0 - 25% saturated
#484c50 - Grayscale
#4c4c4c - 25% lighter
#5c5f62 - Original
#494c4f - 25% darker
#3b3d3f - Web safe: purple
#800080 - 25% desaturated
#4a4c4e - HTML: darkslategray
#2f4f4f
Related Named Colors
- Outer space
#414a4c - Kimono storage (Omeshionando)
#3d4c51 - Dark liver
#534b4f - Davy’s grey
#555555 / #555 - Quartz
#51484f
- Canary
#ffff99 / #ff9 - Very pale yellow
#ffffbf - Laser lemon
#ffff66 / #ff6 - Conditioner
#ffffcc / #ffc - Electric yellow
#ffff33 / #ff3
Color Schemes
#494c4f to white
#494c4f to black
Oil / CL 3137N
Behr
GM / General Motors
★ Charcoal
#484d50 ΔE = 0.826 / LRV ≈ 7.3%
General Paint
Cloverdale Paint
JPMA
★ EN-35
#4b4c4f ΔE = 0.831 / LRV ≈ 7.2%
Benjamin Moore
Valspar Paint
Sico
PPG Pittsburgh Paints
Glidden
Crown Diamond
Natural Color System / NCS
★ S 7502-B
#4b4c4e ΔE = 0.971 / LRV ≈ 7.2%
Comex
CHROMATIC
Pantone / PMS
Dunn-Edwards
California Paints
ICI Paints
Sikkens
★ S0.05.25
#474d50 ΔE = 1.185 / LRV ≈ 7.2%
Ford
Painting is just another way of keeping a diary. Pablo Picasso
To send light into the darkness of men’s hearts – such is the duty of the artist. Schumann
There are painters who transform the sun into a yellow spot, but there are others who, thanks to their art and intelligence, transform a yellow spot into the sun. Pablo Picasso
Decimal 4803663 Binary 01001001, 01001100, 01001111 Hexadecimal #494c4f LRV ≈ 7.1% Closest short hex #444 ΔE = 3.997 RGB rgb(73, 76, 79) RGBA rgba(73, 76, 79, 1.0) rg chromaticity r: 0.320, g: 0.333, b: 0.346 RYB red: 28.627%, yellow: 29.412%, blue: 30.980% Android / android.graphics.Color -11973553 / 0xff494c4f HSL hsl(210, 4%, 30%) HSLA hsla(210, 4%, 30%, 1.0) HSV / HSB hue: 210° (210.000), saturation: 8% (0.076), value: 31% (0.310) HSP hue: 210.000, saturation: 7.595%, perceived brightness: 29.595% HSLuv (HUSL) H: 236.388, S: 8.057, L: 32.146 Cubehelix H: -153.819, S: 0.041, L: 0.296 TSL T: -2.217, S: 0.018, L: 0.296 CMYK cyan: 8% (0.076), magenta: 4% (0.038), yellow: 0% (0.000), key: 69% (0.690) CMY cyan: 71% (0.714), magenta: 70% (0.702), yellow: 69% (0.690) XYZ X: 6.743, Y: 7.150, Z: 8.420 xyY x: 0.302, y: 0.320, Y: 7.150 CIELab L: 32.146, a: -0.537, b: -2.200 CIELuv L: 32.146, u: -1.732, v: -2.606 CIELCH / LCHab L: 32.146, C: 2.264, H: 256.290 CIELUV / LCHuv L: 32.146, C: 3.129, H: 236.388 Hunter-Lab L: 26.739, a: -1.779, b: 0.046 CIECAM02 J: 23.456, C: 4.919, h: 238.301, Q: 95.420, M: 4.302, s: 21.232, H: 300.361 OSA-UCS lightness: -10.097, jaune: -0.442, green: 0.303 LMS L: 6.645, M: 7.444, S: 8.398 YCbCr Y: 80.807, Cb: 129.761, Cr: 126.470 YCoCg Y: 76.000, Cg: 0.000, Co: 16.750 YDbDr Y: 75.445, Db: 5.349, Dr: 4.650 YPbPr Y: 75.577, Pb: 1.845, Pr: -1.638 xvYCC Y: 80.907, Cb: 129.621, Cr: 126.561 YIQ Y: 75.445, I: -2.751, Q: 0.299 YUV Y: 75.445, U: 1.750, V: -2.145 Okhsl h: 247.981, s: 0.041, l: 0.325 Okhsv h: 247.981. s: 0.058, v: 0.337 Okhwb h: 247.981, w: 0.317, b: 0.663 Oklab l: 0.415, a: -0.002, b: -0.006 Oklch l: 0.415, c: 0.006, h: 247.981 Munsell Color System 5PB 3/1 ΔE = 2.742 Brand Color WordPress (grey) ΔE = 3.315
Oil Color
We set out to make a paint Da Vinci would use. This is it.
In the tradition of the masters, M. Graham artists’ oil color is made with pure walnut oil for its brilliance, clarity, texture, and resistance to fading and yellowing. Working in small batches, we craft oil colors true to the roots of Renaissance painting: delicately free-flowing, solvent-free, and with no fillers or additives.
With the exceptionally high pigment loads in M. Graham artists’ oil colors, your work will naturally feel more alive and vibrant, imbued with rich, lustrous color for years to come.
Filter by color
Bismuth Yellow 019
Hansa Yellow 107
Cadmium Yellow Light 070
Azo Yellow 018
Hansa Yellow Deep 106
Cadmium Yellow 060
Cadmium Yellow Deep 063
Indian Yellow 109
Azo Orange 017
Cadmium Orange 038
Scarlet Pyrrol 176
Azo Coral 015
Cadmium Red Light 050
Naphthol Red 120
Cadmium Red 040
Quinacridone Red 155
Pyrrol Red 154
Cadmium Red Deep 045
Quinacridone Rose 156
Anthraquinone Red 014
Alizarin Crimson 010
Maroon Perylene 113
Quinacridone Violet 158
Mineral Violet 116
Ultramarine Purple 192
Dioxazine Purple 100
Ultramarine Violet 193
Anthraquinone Blue 012
Ultramarine Blue 190
Cobalt Blue 090
Cerulean Blue 080
Manganese Blue Hue 114
Phthalocyanine Blue Red Shade 141
Phthalocyanine Blue 140
Prussian Blue 153
Cobalt Teal 097
Cobalt Turquoise 098
Turquoise 189
Phthalocyanine Green 150
Viridian 195
Emerald Green 103
Phthalocyanine Green Yellow Shade 151
Cobalt Green 095
Permanent Green Light 130
Permanent Green Pale 131
Chromium Oxide Green 086
Green Earth 104
Sap Green (Permanent) 174
Olive Green 125
Azo Green 016
Naples Yellow 121
Chrome Tin Yellow 087
Nickel Azo Yellow 123
Yellow Ochre 200
Raw Sienna 160
Transparent Yellow Iron Oxide 188
Nickel Quinacridone Gold 124
Transparent Orange Iron Oxide 186
Quinacridone Rust 157
Transparent Red Iron Oxide 187
Burnt Sienna 020
Terra Rosa 179
Burnt Umber 030
Raw Umber 170
Van Dyke Brown 194
Ivory Black 110
Mars Black 115
Chroma Black 075
Lamp Black 112
Payne’s Gray 128
Warm White (Unbleached Titanium) 198
Titanium White Sunflower 181
Titanium White 180
Titanium White Rapid Dry 185
Zinc White 205
Walnut/Alkyd Medium
Concentrated Walnut/Alkyd Medium thins the color, accelerates drying, enhances adhesion between layers and increases surface sheen and flexibility while remaining essentially non-yellowing. Ideally suited for alla-prima and glaze applications. Walnut/Alkyd Medium is certified nontoxic.
Our walnut/alkyd medium is designed to augment the special nature of our oil color but is also completely compatible with other artists oil colors and mediums.
Size
4 oz 8 oz 32 oz
Walnut Oil
Walnut oil effectively removes color from artists’ brushes and is a natural vegetable oil that does not evaporate or remove essential oils from the artists’ brushes. The addition of walnut oil to color will slow drying, enhance flow and increase sheen.
Our walnut oil medium is designed to augment the special nature of our oil color but is also completely compatible with other artists oil colors and mediums.
Size
4 oz 8 oz 32 oz
Composition and Permanence
The color index name is established and published by the American Association of Textile Chemists and Colorists and The Society of Dyers and Colourists. The color index name is a generic category and does not refer to a specific pigment. While it enables the artist to form a general idea of opacity, transparency and lightfastness, for a pigment in a certain color space, it does not provide definitive information. Many grades of pigment are available from a number of manufactures with a very wide range of physical attributes.
Chemical Name
The chemical name is a brief, commonly used generic type designation of the pigment types composition. in conjunction with the color index name, the chemical name can be used to broaden the artists understanding of the source and nature of the pigment used.
Permanence
The permanence of a color is a measure of the lightfastness of the pigment when dispersed in a vehicle and subjected to conditions which emulate the exposure normally given a fine arts object. Such ratings are generally considered vehicle or media dependent and can vary between media – thus pigment which is suitably lightfast for oil color, might not be lightfast in watercolor. Our ratings utilize a combination of historical data, accelerated testing and data from pigment manufacturers to establish one of the toughest standards among artists colormakers today.
Transparency and Opacity
Each of our colors has been provided a designation indicating relative degrees of transparency to opacity. Please consider these as a guideline because any thin film application, while not necessarily transparent, can be interpreted by the view as such.
Health and Safety
Our colors have been evaluated by a board-certified toxicologist in a manner consistent with current legislation and Consumer Product Safety Commission guidelines. Where needed, labels carry specific instructions on safe use and handling as well as information required by the State of California to comply with Proposition 65.
Artists’ colors are preparations of a variety of materials and when handled correctly should not represent a serious hazard to health based on our current knowledge. We do recommend artists use normal safe-handling care and practice when working with our or any manufacturers’ color, including not applying color to the skin, taking care not to ingest the product, not smoking/drinking or eating while working and carefully reading all labels for specific warnings. For more information, please refer to our Safety Data Sheet or write to us at
M. Graham
PO Box 404
Hubbard, OR 97032
ASTM D4236
ASTM is a standard practice for labeling art materials for chronic health hazards. A statement of conformity to this standard appears on each of our labels to assure the artist that our formulations have been independently reviewed by a certified toxicologist and that required cautions and warnings are in place for the artists’ guidance.
Children
Our colors are professional products not intended for use by children under thirteen.
Artists’ Oil Colours
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The Winsor & Newton range of Artists’ Oil Color is unmatched for purity, quality and reliability. Only the very finest pigments and most suitable drying oils are selected to produce colors of reliable consistency and a high standard of color matching.
All oil paint in this line contain the maximum pigment content consistent with good handling qualities, so optimum tinting strength can be achieved when the colors are reduced with white. These oil colors are available in tubes.
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Terrific quality oil paints. The best in my book.
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Winsor & Newton products have a beautiful color quality. They are costly, but worth it. MisterArt.com has very good prices compared to retail prices at nearby stores.
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One of the finest oil color lines in the world and for good reason!
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Same great product you can get in stores but at half the price. Great.
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Excellent! Just right for the oil painting I’m creating.
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I have been using these paints for over 30 years. The prices are great here on MisterArt.com.
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I have only just begun to paint with oils, but I already know the value of ordering Winsor & Newton Oils. They are simply the best for this budding artist. The first difficult lesson I learned was the difference in buying and applying oil paint. It took only one day for me to toss my cheap purchases and to discover that Winsor & Newton had what I needed in ease of mixing, applying and depth of color. My pears are picture perfect on my canvas. thanks to Winsor & Newton and my art teacher who steered me in the right direction!
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