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How to paint a sunset over water

You might also like this easy galaxy painting.


Secrets to Painting Sunsets and Water Reflections

I teach classes in painting sunsets, both in the studio and en plein air. No surprise that I LOVE painting sunsets and the rich chroma that streaks the skies along with the deep long shadows during the “Golden Hour” right before sunset.

Artists just starting out, always want to capture the fleeting light of the sunset, and often ask me for tips. Here’s some general “rules of thumb” to remember about painting sunsets. Below are the demo paintings from my class in Painting Sunsets and Water Reflection at Dunedin Fine Art Center.

1. Paint from Back-to-Front instead of Dark-to-Light when painting a sunset as your

sky is usually overlapped by all the other elements of the composition. It’s much harder to make a graduated blend in the sky if you have the wave painted! Instead, paint the sky first, and put the wave on top.

2. Light Logic-As the sun sets, the light logically highlights waves & clouds in lines.

Objects facing the light will be illuminated by that light, facing away from the

light will be in shadow. In the above example, the wave crest reflects the light, the trough is in shadow and the flat part of the water reflects the sky.

3. Layer and blend those layers to create light! If you are using paint, use a fan brush

or a large soft (3”) brush to create a graduated blend in the sky. If you are using

pastel, use stripes of color and blend to create a graduated blend-which is what I did here behind the wave.

4. Texture is the best way to create water vapor or clouds. Notice the smooth texture of the sky, linear texture of the waves, and rough texture of the froth and rocks? Those differences are all textural and help create the illusion of depth.

5. Remember Rules of Perspective!

Clouds-are thinner at the horizon, and thicker at the top

Waves-are thinner at the horizon and thicker at the bottom

Sky-lighter at the horizon and darker overhead

6. Three ways to create the illusion of perspective and depth in a painting:

Color temperature, warm colors come forward, cool colors recede (when painting a sunset, your sun will be warm, as will the sky, so bring some dark warm into the foreground)

Texture, make the foreground rough, middle-ground a different texture and background smooth. (check out the waves in both examples)

Value, lighter colors recede in the distance, darkest colors come forward and

should be used in the foreground. If you have a dark in the distance it will

“flatten” your painting.

My examples here are all in pastel, but I did the same paintings in acrylic as demonstrations for the class. These rules are not medium-specific. Its very important that you spend some time studying your subject, watch the sunset, see how light fades, how it touches different parts of waves, and how wet sand reflects the sky. The more you understand the light logic in a scene, the easier it is to paint it.

Looking for a challenging next class?





Sunset Over Water Painting

I’m using my Winsor and Newton Cotman travel set of watercolor paint for this painting because I want it to be accessible for new painters. Even if you don’t have this set, you might have a similar one with a limited amount of colors.

Supplies Needed:

  • Winsor and Newton Cotman Set
  • Paintbrushes
  • Watercolor Paper
  • Paper towels

Tips for Painting Sunsets

  • Most landscape paintings look best when they’re divided into 3 parts.
  • Sunsets can have 1/3 sky or 1/3 water. When a painting has more sky, it feels more open and airy. It’s also closer to how it would look if you were standing on the shore. If you have more water, it looks like you’re somewhere in the water.
  • The horizon line should start with a lighter color and work to a darker color. For instance, this sunset starts with yellow and works its way up to red. It could also start with a pale pink and work towards a dark pink or purple.
  • Work in layers to add depth to your painting.
  • If any line or detail is too strong, it can be blended out with a wet brush. I went over the waves several times to make them softer.
  • Tape your painting with masking tape for the best results.
  • Mistakes can be removed with a paper towel.

If you’re looking for easier painting ideas, be sure to check out my simple landscape painting ideas.

How to Mix Gray

Mixing ultramarine blue and burnt umber will give you a gray. Use less water for a darker color.

How to Mix Purple

Mix the Alizarin Crimson (or cool red) with ultramarine blue to make a purple. (Learn more about mixing purple here.)

Yield: 1

Watercolor Sunset Painting: Step by Step Tutorial

Active Time: 25 minutes
Additional Time: 10 minutes
Total Time: 35 minutes
Difficulty: Easy
Estimated Cost: $5

  • Watercolor Paint
  • Watercolor Paper
  • Watercolor Brushes
  1. Tape the edges of your paper to avoid warping.
  2. Paint the horizon line with a warm yellow.
  3. Add a water wash to the rest of the sky.
  4. Add a warm red to the top of the sky.
  5. Blend the 2 colors together to make a gradient.
  6. Use a paper towel to lift paint at the horizon line for the sun. This allows the sun to have a little bit of color, but not get lost. Add water to this spot to rewet the paint if needed.
  7. Paint yellow in the sky. It should be narrow near the sun and get wider as it gets closer to you.
  8. Add cool red to the top and blend it in.
  9. Use yellow ochre to outline the sun to define the shape.
  10. Add more yellow ochre paint around the sun.
  11. Blend the yellow ochre into the yellow background. Use a wet brush if needed.
  12. Add ultramarine blue to the rest of the water. If it blends a little with the water, it’s okay. Try not to let it touch the sky though. Wait until it’s dry if needed.
  13. Blend the edges of the water with a lightly wet brush.
  14. Start adding in clouds using cool red. Clouds are kind of fluffy blobs. It’s okay if they bleed a little into the sky because the shape will look more natural in the end.
  15. Add dark spots with a purple mixture on the clouds. Add them to the bottoms and in the middle.
  16. Start adding waves to the water using ultramarine blue. Use less water to get a thicker mix. Try to make your lines wavy and have them start and stop at different points.
  17. Use a wet brush to soften any lines that seem too harsh.
  18. Add more waves.
  19. Let everything dry.
  20. Add dark waves using a gray mixture (ultramarine blue and burnt umber.)
  21. Use a purple mixture to add more shadows to the clouds.
  22. Drop yellow into the tops of the clouds. Blend the paint. Use a paper towel to remove paint from areas that are too dark.
  23. Add red waves to the water to show the reflection from the sky and clouds.
  24. Use the gray mixture to add land to each side of the painting. Use very little water to make the color dark.
  25. Use a small brush to add texture to the land to resemble trees (instead of plain triangles.)
  26. Enjoy your painting!

Notes

Use a paper towel to remove mistakes.

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ARTEZA 9x12

ARTEZA 9×12″ Expert Watercolor Pad, Pack of 2, 64 Sheets (140lb/300gsm), Cold Pressed, Acid Free Paper, 32 Sheets Each, Ideal for Watercolor Techniques and Mixed Media

Winsor & Newton Cotman Water Colour Paint Pocket Plus Set, Set of 12, Half Pans

Winsor & Newton Cotman Water Colour Paint Pocket Plus Set, Set of 12, Half Pans

Princeton Artist Brush Neptune, Brushes for Watercolor Series 4750, Quill Synthetic Squirrel, Size 6

Colin Wynn
the authorColin Wynn

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