Pollock flung and freehandedly threw paint onto a canvas set on the floor underneath him, using rods, rigid brushes, and other devices. An artistic technique is called a drip-style painting. This sophisticated mix of varying luster creates a contrast of quiet colors with a splattering of paint on top created by tans, blues, and grays lashed through with black and white. Furthermore, it is an exemplary example of a conceptual piece of art. The vast combination of curves and regular geometrics were combined in a particular manner to depict a unique brightness and generates a color palette.
How to Create Masterpiece Art in Examples Research Paper
Creating a piece of work is a subject of independent creativity and one’s ability to express thoughts and ideas in a painting, drawing, or sculpture. Art can be defined as the embodiment or arrangement of visual elements and views, particularly in generating works largely in a visual medium such as painting or sculpture for their aesthetic appeal or psychological prowess. This discussion highlights various pieces of art; how artists deployed various artistic devices, tools, and manners in their designs.
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Corpse and Mirror II
The painter Jasper Johns was born in 1930; he found fame in the 1950s for his paintings of flags, targets, and other ordinary objects. Johns’ work has been exhibited worldwide, and he was awarded the Grand Prize at the Venice Biennale in 1988. Despite criticism of his work, Johns’ work has always been popular among collectors (Johns). The painting, Corpse and Mirror II, was done from 1974 to 1975. Corpse and Mirror artwork comprises oil and sand on four linked canvases with a painted frame by the artist. He used a distinct composition of crosshatched marks, traditionally thought to be a graphic way of adding depth and dimension to an image or conveying the illusion of light in space. I like the technique used in this work because it creates a tonal effect by varying the spacing lines and having additional layers. Johns’ crosshatching emphasizes the painting’s flatness by being gestural but not emotive; in this way, the technique exemplifies his greater critique of strongly expressionist painting models.
The Starry Night is a semi-abstract landscape painting by Vincent van Gogh. The artwork was done in 1889, expressing a night of sky topping a small settlement area. It was painted by a Dutch artist, Vincent van Gogh and happened to be his most celebrated piece. Van Gogh was born in 1853 and died in 1890. Furthermore, he created more than 2000 pieces of artwork in a decade time.
I love the creativity in this painting, whereby Van Gogh applies thick textures with brushstrokes to create patterns that depict the movement and energy of the sky and the stars, giving an impression of twinkling stars (Abigail). The starry night is a work of oil on canvas and pinpoints a sky at night, illustrated by chromatic blue swirls and a glamorous work of heavenly bodies, a hushed village of simple dwellings surrounds a church beneath an expressive sky. The foreground of this night image features a cypress tree. Its flame-like shape goes almost to the canvas’s top edge, creating a visual link between ground and sky.
Street, Dresden
This artwork is an oil painting done in 1908 by Ernst Ludwig Kirchner. The artist expresses an illusion of discomfort experienced in modern urban bustle by radiating tension on canvas by using oil. It shows packed pedestrians in a constricted space. Even though the street is packed, even claustrophobic, everyone appears to be alone. The women on the right are keeping themselves in, clutching her purse and her skirt, and their faces are expressionless, almost masklike. The headgear of a small child dwarfs her in a cluster of whorling patterns that create human figures. Kirchner depicts Dresden’s fashionable street as a busy space where everyone appears to be alone. Kirchner’s palette of strident, contrasting colors heightens the sensation that this artistry ironically depicts fundamental features of urban life.
However, the painting is not bright enough to give the perfect illusion of a modern busy street. The painting would have been much better with shades of brighter colors to add on lighting effect (University). Kirchner uses dull colors to display clothing, as most of them do not show their faces. The mood displayed in the artwork is rather dull, contrasting with the mood visible in an urban street. Even if alone, people in the streets prefer presenting themselves boldly.
Painting Your Own Masterpiece: A Unique Approach to Personal Branding
In a world where everyone is trying to be heard, personal branding is essential for standing out from the crowd. But what does it mean to craft a truly unique personal brand?
It’s about painting your own masterpiece. It’s about using your unique perspectives, experiences, and talents to create a brand that is truly authentic and resonates with your audience.
Authenticity: Your Brushmark
The foundation of a unique personal brand is authenticity. It’s about being true to yourself and your values, even when it’s difficult. It’s about sharing your story with the world, flaws and all.
When you’re authentic, you connect with people on a deeper level. Your brand becomes more than just a product or service; it becomes a reflection of who you are and what you stand for.
Know Your Palette
Every artist has their own unique palette of colors and textures. Your personal brand palette is made up of your unique qualities, skills, and experiences.
What sets you apart from others in your field? What makes you exceptional? Take some time to reflect on your strengths, your passions, and the things that make you unique.
Once you know your palette, you can start to paint your masterpiece.
Craft a Compelling Narrative
Stories have the power to move us, inspire us, and connect us with each other. Your personal brand narrative should be a story that your audience can relate to.
Share your triumphs, challenges, and lessons learned. Weave in your values, your mission, and your vision for the future. Your narrative should be a tapestry of your life experiences, and it should resonate with your audience on a personal level.
Aesthetic Consistency: The Framing of Your Masterpiece
Visual identity is important for any brand, but it’s especially important for personal brands. Your visual identity is the framing of your masterpiece. It’s what helps people to see and understand your brand.
Make sure that your visual identity is consistent across all platforms. Use the same fonts, colors, and imagery to create a cohesive and memorable experience for your audience.
Connect and Collaborate
Artists often collaborate with each other to create something even more beautiful than they could have created on their own. The same is true for personal branding.
Connect with other people in your field and collaborate on projects that align with your values and goals. These alliances can help you to reach a wider audience and elevate your brand.
Perseverance and Evolution
Creating a personal brand is a journey, not a destination. Just like an artist continuously refines their craft, you should be prepared to adapt and evolve your brand over time.
Embrace change, learn from your experiences, and stay open to new opportunities. A willingness to grow and adapt will ensure that your personal brand remains fresh and relevant.
Consistency, Not Conformity
Consistency is important for personal branding, but it shouldn’t be confused with conformity. Your brand should be consistent in its core values and message, but it should also be flexible enough to embrace your growth and changing circumstances.
Stay true to your unique identity, even as you evolve.
Crafting a unique personal brand is an art form. It’s about using your authentic voice, your unique perspective, and your creativity to create a brand that resonates with your audience.
Remember, your personal brand is your masterpiece. Paint it with passion, with purpose, and with your own unique Brushmark.
Music
The music of a painting is its sensuous, non-intellectual part. It derives from the physiological pleasure the human brain gets from making visual order out of the visual chaos of nature. The artist translates nature’s complexity into a rhythm of simpler shapes, colors, and values and at the same time creates color harmony from the kaleidoscope of often inharmonious colors that are found in nature. This is done by selectively choosing what to paint and by using the appropriate colors to achieve that harmony.
The music works in two ways:
- when the painting is seen from a far distance. The far music derives from the overall pattern of shapes, values, and colors.
- when it is seen from a near distance. The near music derives from how the paint has been applied to the painting and in the rhythm, shapes, and textures of the brushwork.
Pianello Poppies’s music is created by a red, blue green complementary color harmony and a contrast between high saturation reds and low saturation green grays. This is how many master artists use visual music to create a masterpiece, even if they don’t call it that.
How does Visual Music and Poetry ® help me create a masterpiece?
You can define a painting as visual poetry combined with visual music, and created using a painting process. This model will help you place contemporary work and the great changes that painting went through during the 20th century (from abstract art to photo realism, and conceptual art) into a much broader and more understandable historical context.
I use the term “music” because of the various analogies between music and painting. A good musical composition has harmony between its notes and a good painting has harmony between its colors and values. A good musical composition has interesting rhythms in the time sequence of its notes, and a good painting has various rhythms in the spacings between its shapes.
Likewise good music takes advantage of repetition in sequences of notes with some variations. Repetition and variety in shapes and colors is one of the key principles in painting. Hence the strong analogy between painting and music.
As for poetry, I cannot say it any better than a quote I recently read by William Carlos Williams, an American Poet, (1883 – 1963) in a 1950 interview:
“Poetry is language charged with emotion. Poetry is words, words rhythmically organized. A poem is its own complete small universe, it exists separately. Any poem that has worth expresses the whole life of the poet. It gives a view of what the poet is.”
William Carlos Williams, 1950
Just change the word “poetry” in this quote to “painting”, and words to “shapes, lines, and colors” and you’ll see what I mean:
“A Painting is an image charged with emotion. A painting is shapes, lines, and colors rhythmically organized. A Painting is its own complete small universe. It exists separately. Any painting that has worth expresses the whole life of the artist. It gives a view of what the artist is.
Barry John Raybould 2010, after William Carlos Williams
To learn more
To learn more about how to critique a master painting for Visual Music & Poetry®, and about how to create a masterpiece by adding an interesting concept for paintings, see Workshops B and H of the Virtual Art Academy® Apprentice Program.
Thank you for taking the time to read this article. I hope you find it useful. If you would like to get free painting tips by email, please sign up for my free tips newsletter.
If you are interested in a structured approach for learning how to paint, take a look at my online painting classes.
Barry John Raybould
Virtual Art Academy
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No need to buy expensive art books…. Just do the VAA 4 year course. I still refer to it
I finished the VAA course a few years ago, but always refer to the notes, rereading the course many times. This is not a course the day you are finished, you are done. No, you keep practising the assignments getting better and better over time. When I look back at my work when I had just… Read more “No need to buy expensive art books…. Just do the VAA 4 year course. I still refer to it”
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In the last couple of years, I took online painting courses and in-studio classes adding to my university courses from many years ago. After researching Anders Ericsson learning systems and Ultralearning, I was struggling to design my own painting learning plan. Then I discovered the VAA and with the endorsement from Richard Robinson, I jumped… Read more “First quality education, materials, layered learning systems, feedback loop and social support and lifelong learning – amazing”
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The most comprehensive art instruction I could find anywhere online, and trust me, I had been looking for a long time.
I joined 2 years ago with my daughter. We have both learnt so much and have enjoyed our VAA time together. My daughter is now 13 and already produces amazing paintings. The Virtual Art Academy is simply the most comprehensive art instruction I could find anywhere online, and trust me, I had been looking for… Read more “The most comprehensive art instruction I could find anywhere online, and trust me, I had been looking for a long time.”
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This is a far more superior school than anything I have seen being taught at colleges across the country and have learned much more from the Virtual Art Academy® than from any art course I have ever taken! I cannot begin to tell how the Virtual Art Academy has improved my observation of potential compositions… Read more “This is a far more superior school than anything I have seen being taught at colleges across the country”
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The small steps are easy to do
I am extremely impressed with the process that Barry has developed for VAA. Learning to paint can be intimidating, but when broken into many small projects it is very do-able. I just did my first live model painting session- a 5 hour, one day session. Thanks to VAA, I was able to break the painting… Read more “The small steps are easy to do”
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An excellent foundation on so many aspects of painting
I never had formal training in painting and my style has always been very realistic, slow and not at all artistic, just a copy of a photograph. When I got word of the course available through Virtual Art Academy, I was very excited for the opportunity to learn what I never knew about painting. VAA… Read more “An excellent foundation on so many aspects of painting”
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Building blocks of learning is the best I have seen
I joined 5 years ago when I didn’t know anything about oils, painting, composition, or drawing. Barry’s way of teaching is extremely well versed in many aspects of painting. His building blocks of learning is the best I have seen. The academy is designed well and the community of fellow students is engaging and friendly.… Read more “Building blocks of learning is the best I have seen”
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The course has a steady learning curve that keeps revealing itself as you advance
The course is working great, the lessons are set out so well that every week I can see growth. In following the program it’s given me direction, and the information in the lesson plans are of a professional level. There is no way I would have tracked down the information by myself, and being in… Read more “The course has a steady learning curve that keeps revealing itself as you advance”
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The most comprehensive, in depth and well-organized painting course available online
After a thorough research, my personal conclusion is that the Virtual Art Academy (VAA) is, by wide margin, the most comprehensive, in depth and well-organized painting course available in the internet. Unlike most tutorials and color mixing recipes commonly found online, VAA’s philosophy is rather to provide the students with detailed information about all aspects… Read more “The most comprehensive, in depth and well-organized painting course available online”
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The equivalent of a 4 year art education at a fraction of the cost
This is a great course for anyone who is serious about improving their painting. I have been a student here for several years. When I am finished, I will have the equivalent of a 4 year art education at a fraction of the cost. I can do the lessons anywhere and at my own pace.… Read more “The equivalent of a 4 year art education at a fraction of the cost”
