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Related story
Another stove inside the studio heats this space, which is wrapped in cork panels to insulate it. Carefully positioned openings fill the interior with an even natural light.
A retaining wall was constructed to mitigate the site’s slope and create two terraces. The wall, crafted from local stone by masons that Peter usually works with, extends into the building and wraps around the space beneath the studio, emphasising the different levels.
“The three split levels provide novel perspectives of the work,” explained Thomas Randall-Page, “altering perceptions of scale and revealing the subtlety with which they touch the ground.”
The building was designed with its whole-life carbon efficiency in mind, using local materials where possible and reusing much of the existing barn’s softwood frame, roof and cladding.
Other materials used in the project are chosen to complement the original agricultural construction, including hot-dipped galvanised steel used for the stairs, bannisters, window frames and doors.
The project developed and evolved gradually over a period of nine years. Most of the contractors were Peter’s own studio team, which informed the choice of materials and the way the building was constructed.
Thomas Randall-Page founded his architectural studio in Hackney in north London in 2014, following spells working for Heatherwick Studio and 6A Architects.
Randall-Page’s previous projects include the design of a manually operated rolling bridge for a dock in east London, and an inflatable arts pavilion that popped up on a London canal.
Peter Randall-Page is known for his large-scale sculptures informed by a study of natural phenomena. He was elected to London’s Royal Academy in 2015 and worked on the design team for the Education Resource Centre at the Eden Project in Cornwall, England, which contains one of his granite sculptures called “Seed”.
Photography and video are by Jim Stephenson.
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