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Golden Fluid Artists Acrylic 30ml Iridescent Gold Deep Fine S7
GOLDEN Fluid Acrylic Colours have equal intensity to GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others.GOLDEN Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining colour intensity, tinting strength, film integrity, and adhesion.Fluids blend easily with all acrylic colours, and readily tint gels, mediums, gessos and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles.
GOLDEN Interference Acrylic Colors offer a unique “flip” when viewed from different angles. Colours flip between a bright opalescent colour and its complement. Over white or lighter surfaces, the colour is more subtle and the “flip” effect is more obvious. Over black or darker surfaces the colour is more obvious and the “flip” effect is less dramatic. Adding a very small amount of black to Interference Colours produces deeper opalescent effects.
GOLDEN Iridescent Acrylic Colours used alone or with other colours, gels and mediums, develop nonfading, nontarnishing metallic finishes. Iridescent Pearl is extremely useful for mixing with other colours for pearl-like qualities. All GOLDEN Mica Flake products offer larger particles for more textural metallic surfaces. Iridescent Stainless Steel and Micaceous Iron Oxide are made with highly reflective metallic pigments.
Size 1fl.oz (30ml)
| RRP | 13.750000 |
|---|
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Method for achieving gold acrylic paint
Hello A, Klimt may actually have used gold leaf in this painting. I’m not sure? But basically he’s used what is known as a localised ground, whether it be gold leaf or yellow paint. Upon which he has used what appears to be vandyke brown (umber + ivory black)? This application has actually been quite quickly painted, but is still effective. If I were painting an area to look like gold leaf, I would paint in a localised ground of white, and when dry I would glaze a transparent yellow with maybe a touch of burnt sienna over the top. This would create a sheet of yellow appearing to be illuminated from within. Then if taking the area as far as the Klimt I would further glaze or scumble with something like umber + ivory black. This umber + ivory black should be semi-transparent and I would seek to utilise this. Allowing for the light from the white ground to still be visible. Remember this is the gleaming metal effect that Klimt has got, that we’re looking for. btw. I would lean the umber + ivory black mix towards the umber, in order to utilise the redness of the umber. Is that a bit of terre verte in the Klimt too? Andrew
October 31, 2008 at 6:18 am #1108412
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Thanks for that!
Im still a little unclear by what you mean by a ‘localised ground’. is it just a layer of paint.
Im thinking a kinds gritty physical texture might be nice. a rough, coarse like texture. anyone know how this might be achieved? for an acrylic to be painted on top of?
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October 31, 2008 at 7:15 am #1108418
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I knew a person who used gold Chocolate wrapping foil in their paintings,although it was slightly thicker than “gold leaf” it worked because they painted with an impasto technique to compensate for the foils slight thickness.
October 31, 2008 at 8:19 am #1108411
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I’m surprised no one has mentioned the existence of metallic paint itself yet. Can you give us a better idea of what you want? Do you want a flat surface that behaves in the same way gold leaf does? Or is your subject itself a gold color? Is this supposed to be more realistic, or are you going for a more abstract theme? ~!Carey
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October 31, 2008 at 8:49 am #1108417
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I’m surprised no one has mentioned the existence of metallic paint itself yet.
~!Carey
Good point Carey, but depends on whether you’re a purist or not – more satisfaction for me to pull it off strictly with oils. But Carey’s right, if you used a localised ground of metallic paint, you may use the glazing technique as well if you wished, to gain that Klimt gleam. btw localised ground, just means that you paint a specific area of a painting with a specific paint, for a specific effect. Andrew
October 31, 2008 at 9:20 am #1108409
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To imitate gold using paint, you’ll need to go all the way from a light yellow (and even white in some parts), through yellow ochre and burnt umber, all the way to black, and this will give you the metallic sheen you’re looking for. Here’s a sample of painted gold:
http://lamgallery.com/reg/07/ornament122207a.jpg Here’s a sample of gold leaf:
http://lamgallery.com/scribe.htm I can tell you how to do real gold leaf if you want. — Linda
My Main Gallery[/url] – Artist Blog[/url]
October 31, 2008 at 9:30 am #1108421
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I would use a gold metallic Acrylic paint and try to put a clear glaze on top for effect. I would try to diminish any brush strokes or surface texture.
October 31, 2008 at 10:55 am #1108419
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I’d use gold leaf with an acrylic gesso base (or real plaster gesso which might be better). I’ve done it and even a surface that to the eye looks really smooth shows every indentation in the gold. I used a roller on the gesso underneath to get that characteristic egg shell texture and then applied gold leaf with an oil size. Liquid gold paint can work too and look very reflective but I think nothing beats gold itself, and manipulating gold leaf is a useful, and fun! skill to learn. Klimt paintings don’t look brilliant in terms of the gold but I’ve read that he did use gold leaf. In real life the gold looks no better than gold spray paint and always looked unburnished. Sometimes the texture was very rough, like cement which might explain it. Mark
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October 31, 2008 at 10:55 am #1108413
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Thanks guys.
Carey – it was actually the klimt style i was looking for. as a background for a portrait i’m doing. so a large area of gold. I was thinking just use metallic acrylic paint but i thought it might be dull and need more interest in either texture or shades. I guess that is what flat areas of gold leaf had. Is there something i can mix into paint to give it a texture? acrylic i mean?
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Method for achieving gold acrylic paint
Water-Based Paint: Gold (20 ml)
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The bottle of water-based paint in gold color for brush and airbrush, made by Artesania Latina, is the ideal product so that the finishes of your models and crafts are perfect. It contains 20 ml of product and provides a semi-matte finish. The gold color water-based paint is easy to apply thanks to the cannula that it brings. The drying process is very quick. Add it to your crafts and model bulding workshop so scale models and other DIY projects will shine once they are built!
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CHARACTERISTICS OF GOLD COLOR WATER-BASED PAINT FOR MODELS AND DIY
The gold color water-based paint for models and DIY projects is presented in a jar with 20 ml of product and a cannula for a precise, fair and easy application. It is characterized by its great adherence, without a tendency to sag, and by its great covering power. It forms an elastic and durable film with a semi-matte finish, resistant to friction and with great stability and color retention.
100% acrylic paints, such as this one made by Artesania Latina, are the most used by expert modelers, since they are the most suitable for airbrush application, although it can also be applied with a brush and diluted with water. Indispensable at your modeling workshop!
USES OF GOLD ACRYLIC PAINT FOR MODELS AND CRAFTS
The gold acrylic paint for models and crafts can be used to paint Artesania Latina modeling kits and all kind of crafts . They are perfectly suitable for use with airbrush, although they can also be used with brush.
These water-based acrylic paints can be diluted with alcohol or airbush thinner less corrosive, less toxic and they deposit less, that is, much stirring is not required to achieve a uniform texture.
The drying time of gold acrylic paint for models and crafts is very short since they tend to dry to the touch in about 20 minutes at 20º with RH 70% and completely in one hour. If you need to apply a second layer, you will only have to wait 6 hours approximately. It is advisable to give it a primer layer before applying our paints. The surfaces to be painted must be clean, dry and properly prepared.
In short, you can work with airbrushes and their techniques thanks to this gold-colored acrylic paint for models and DIY projects. The airbrushing will provide you with the best results in the finishes of your scale models through this paint!
